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Create from 519 piments ↗18+ · Spray, air, slow motion
A wave jumping AI video captures one leap over a small break: a run into the shallows, a lift off the sand, spray hanging in the sun and a landing in slow motion. Start from a photo of yourself or of an adult who agreed, describe one jump, one camera track and one sound, and Sirena renders a vertical 5, 10 or 30-second clip with Seedance 2.5. Energetic, sun-bright, 18+ and never explicit.
Ready-to-shoot scenes. See all
One or several models for a duo or group scene: say who does what in your prompt.
Your photos or our AI models: adults only, real people with their consent. Conditions
Type @ to mention an image in your scene.
Choose an idea to add it. Your existing text is kept.
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Generated with Seedance 2.5 by ByteDance: strong face, outfit and style consistency with your reference photos.
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New · 16 models · 8 scenes
A kiss in the club bathroom, a hand that wanders in the taxi at 4 a.m., a shower for two after the party… Pick a scene: the models and the full prompt drop straight into the studio. Tweak it, or let them play it exactly as written.
Duo · Kiara & Lena
@Image 1 and @Image 2 in tight party dresses, one black with thin straps, the other silver and very short, in a nightclub bathroom: cracked white tiles, mirror smudged with fingerprints, paper on the floor, a purple neon light flickering and buzzing, bass thumping behind the door, a toilet flushing in the distance. @Image 2 holds the phone at arm's length, the frame tilts, she laughs: "Okay okay, we're filming this." @Image 1, leaning on the sink, bites her lip and grabs @Image 2 by the back of the neck: "Come here." Kiss with tongue, slow then more urgent, hands in the hair then on the butt through the dress, @Image 1's strap slips off her shoulder and uncovers a breast, she doesn't pull it back up. Lipstick smeared on both mouths, short breath, @Image 2 looks into the lens: "We're so bad," and they burst out laughing, the phone almost falls, reframes on the ceiling, cut.
Solo · Sara
@Image 1 in a black Brazilian thong and a sequined crop top pulled up above her navel, high heels, at a VIP table: red velvet booth, low table covered in bottles, sweating ice bucket, sparklers crackling on a bottle, white strobe and green lasers, smoke. Filmed by a friend slumped on the booth who shouts over the music: "Go on, show them!" @Image 1 turns her back to the camera, spreads her legs, hands on her knees, arches her back and twerks to the beat, butt bouncing, thong sinking in, sweat in the small of her back. She turns around laughing hard, hair stuck to her forehead, grabs a bottle by the neck and raises it to the lens: "To tonight, bitches!", drinks, chokes, laughs. Flash from another phone, a bouncer passes by blurred, the friend screams with laughter, the image shakes everywhere.
Duo · Mia & Chloe
@Image 1 and @Image 2 in the back of a taxi at 4 a.m., worn black leather seat, an air-freshener tree hanging from the mirror, shop signs and red lights sliding across their faces in blurry patches, the indicator ticking, radio turned low, the driver blurred from behind. @Image 1 holds the phone low, the frame sometimes cuts off their heads. @Image 2, shoes in hand, rests her head on her shoulder: "Best night of my life, I swear." @Image 1 whispers: "Shh, he can hear us," nodding toward the driver, they giggle. @Image 2 lifts her head, their eyes meet, kiss with tongue, slow, @Image 1's hand slides under @Image 2's dress out of frame, @Image 2 closes her eyes and holds her breath, then @Image 1 goes "Shhh" to the lens with a smile, the phone reflected in the window, a pothole shakes them, they laugh.
Solo · Yasmine
@Image 1 in a white thong, topless, lying on a hotel bed at 5 a.m.: crumpled white sheets, pillow half on the floor, dress in a ball on the floor, heels knocked over, a water bottle on the nightstand, only the bedside lamp on, yellow light, blind half open on a sky turning blue, distant music through the wall. Running mascara, glitter stuck to her cheek. She films herself at arm's length, hoarse voice: "It's five a.m. and I am not even tired," yawns right in the middle, laughs at her own yawn. She rolls onto her stomach, arches her back, the thong rides up her hips, her butt lifts, she looks over her shoulder: "Okay, maybe a little," blows a kiss to the camera, buries her face in the pillow, says a muffled "Good night", and the phone drops onto the sheet, blurry shot of the lamp.
Duo · Mei & Bianca
@Image 1 in a tight black mini dress with no bra, nipples visible through the fabric, in the middle of a packed dancefloor: red lights, smoke, a disco ball, distorted music crushing the mic, bass shaking the image, strangers' shoulders and arms crossing the frame, a spilled glass on the floor. @Image 2 films very close, at arm's length, the frame cropped and tilted. @Image 1 shouts into the lens: "I can't hear you!" laughing, @Image 2 grabs her by the waist, they dance pressed together, hip to hip, the dress rides up her thighs and @Image 1 lets it, hair stuck down, skin shiny with sweat. Kiss with tongue in the middle of the crowd, a stranger bumps into them, they laugh into the kiss without letting go, @Image 2 shouts "Oops!" and a phone flash blinds them.
Duo · Natalia & Rosa
@Image 1 and @Image 2 in the same shower after coming home from the club: narrow stall with blackened grout, patterned plastic curtain, shampoo bottles on the floor, harsh ceiling light, steam, the sound of water drumming on the tray. @Image 1 holds the phone out of the spray, fog on the lens, makeup running in black streaks, bare breasts, hair slicked down. @Image 2 steps under the water and lets out a little scream: "Oh my god, it's freezing!" @Image 1 laughs: "Come here, I'll warm you up," pulls her close, chest to chest, they kiss under the water, hands on backs and hips, framed at shoulders and faces, water splashes the lens and blurs everything, @Image 1 wipes the lens with her thumb laughing, her fingerprint shows, @Image 2 says "You're getting it wet" and they laugh even harder.
Solo · Isla
@Image 1 in a black thong and heels on a rooftop at 3 a.m.: gravel underfoot, cold metal railing, lit-up towers behind, a red sign blinking on a facade, wind whistling in the mic, a siren in the distance. Filmed by a friend whose voice shakes with laughter: "You're not gonna do it!" @Image 1, still wearing a sequined top, answers "Watch me," pulls it off in one move and spins it above her head, topless, goosebumps on her arms, nipples hard from the cold, she shouts at the city "I love this city!", turns around and twerks against the railing laughing hard, a champagne bottle in her hand foaming over her fingers, the friend screams "Oh my god, oh my god!", a streetlight overexposes the image, then it plunges into darkness as she turns.
Solo · Tina
@Image 1 in the dark cloakroom of a nightclub: racks loaded with jackets and coats, numbered tickets, an empty counter, red light from the corridor filtering through the half-open door, muffled bass, distant voices. Selfie video held at arm's length, strapless dress pulled down to her waist, topless, marks from the dress on her skin. She whispers to the lens with a half smile: "Quick, before someone comes in." She arches against the wall of jackets, slowly caresses her breasts while staring at the camera, visible breathing, bites her lip, her other hand slides down her stomach and out of frame. A door slams in the corridor, she jumps, yanks her dress back up and bursts out laughing, hand over her mouth: "Oh my god, no!", the phone tilts sideways and the video cuts.
Fictional adult models created with AI.
New · Reference video
You know that video you keep replaying? Drop it in: we keep every move, every sway of the hips, every camera angle. You pick who plays it, where it happens and how hot it gets.
The one you keep replaying, 2 to 30 s. We won’t ask which one It becomes @Video 1.
Who plays it (@Image 1), the place, the mood, the outfit… or what’s left of it. One sentence is enough.
Same rhythm, same camera, with your muse in the lead. Ready in minutes, just for you.
Keep every move and the camera of @Video 1. Replace the girl with @Image 1, in a hotel room at 3 a.m., dim red light, a black satin slip sliding off her shoulder, eyes locked on the lens.
A jump is the beach move where timing decides everything. The body leaves the ground, the wave breaks underneath and the spray lifts into the light. Slow motion is what makes it read: rendered slowly, the spray has room to hang in the air and the landing gets a clear shape. Seedance 2.5 handles a single jump well when the photo already shows a balanced, athletic stance.
Plan one leap, not a sequence. A run, a jump and a landing in one clip is already a full action; a second wave or a flip asks the model to invent limbs and water in too many places at once. Keep the camera tracking alongside the jump and let the spray do the dramatic work.
Real studio clips made from ordinary photos, not demos of this exact jump. Each one began as one still with a clear body and clear light.
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AI video
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AI video
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AI videoA jump needs a clear body and a clear shape. Test five seconds first.
Full body or three-quarter body, arms and legs visible, sky or sea behind. A blurred action shot gives the model little to continue.
A run, one jump, one landing, one camera track. Load a prompt below to start from wording that already works.
Test in Medium 480p, then render 10 seconds in High 720p to cover the full run, lift and landing.
Your action photo is @Image 1. Each prompt is one run, one leap and one landing, so the spray gets a single moment to shine.
@Image 1 runs into the shallows and jumps over a small breaking wave, arms lifted, spray bursting around her, she lands and turns to the camera laughing, slow-motion side tracking shot, bright sun, splash and crashing foam.
Track sideways so the jump stays in the middle of the frame.
@Image 1 hops off the wet sand and rises above a low wave, hair flying, she lands in the shallow foam and shakes the water from her hair, low angle, slow motion, sun flare, crashing surf.
@Image 1 leans into a jump at the water edge, lands on balanced feet with spray hanging in the air, she looks back toward the camera with a grin, slow push-in, warm golden hour light, the roar of the wave.
@Image 1 stands at the water edge watching the next wave roll in, bends the knees, then springs up as it breaks, the camera holding steady with a slow zoom in, bright sea spray, surf and wind.
The kind of jump sets the shot. Match them before you render:
| Jump in the photo | What the clip shows | Camera |
|---|---|---|
| Running into the foam | Spray and a clear arc through the air | Side tracking shot, slow motion |
| Standing, knees bent | A spring up as the wave breaks | Locked shot, slow zoom in |
| Landing in the shallows | Splash, shaking hair, a grin to camera | Low angle, slow push-in |
| Already mid-air in the photo | The landing only, controlled and short | Locked medium, five seconds |
A jump needs a steady camera. Shaky moves and fast cuts are where limbs start to distort.
You pay for length and quality, not for the number of splashes:
| Length | Medium · 480p | High · 720p | Ultra High · 1080p |
|---|---|---|---|
| 5 seconds | $5.19 | $6.49 | $15.59 |
| 10 seconds | $6.49 | $11.69 | $31.19 |
| 30 seconds | $15.59 | $32.49 | $92.29 |
The terms of use apply to every jump and every photo.
Anyone recognizable in the water must be an adult who agreed, confirmed by you before each render.
A single leap with a clear start and landing reads most clearly. Ask for one jump and let the spray do the rest; several jumps in one clip usually look broken.
Fast motion and a close camera make limbs harder to hold. Use a wider frame, a slower leap and a tracking shot from the side.
Yes, native ambient audio: the crash of the break, splashing, wind. No music is added.
Yes, if the board is clear and the person is the focus. Describe the leap rather than a board trick; the model follows simple moves most reliably.
Not reliably. The model keeps the wave size you see, so choose a photo where the break is small and the spray is visible.
More action on the water.
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